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XGIMI Aura 2: test / review

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On this page:
Where to buy
Price XGIMI Aura 2
Timeline
Why this projector?
Unpacking
Operating system
Finish
Projection room
Battery autonomy
Power consumption
Operating noise
Image quality
Image size and projection distance
Screen choice
Audio quality
Video games
Test / Review conclusion
Projectors Tests Reviews

XGIMI Aura 2: test / review


Published on: 17-10-2024 / Modified: 17-10-2024
I have been testing projectors for a few years and the brand that started it all is XGIMI. Until now, I had tested all the product ranges marketed in Europe except one...the Aura range. It is on the occasion of the release of the XGIMI Aura 2 that I will be able to fill this gap in my journey. In the XGIMI catalog, the Aura product range represents the top of the range in laser format and ultra-short focal length. The XGIMI Aura 2 takes some elements from the first model such as the DLP 0.47 chip but the big new feature is the use of a hybrid laser/LED light source. This combination should theoretically provide an advantage in terms of color space but I will come back to this point later in the test. The other change is the projection ratio of 0.177:1 which will allow you to have a huge image without having to move the projector too far away. This is the shortest projection ratio I have had the opportunity to test.

If you like my work, you can support me by purchasing your products from my links, this is my only source of income for my product testing.

Where to buy


The XGIMI Aura 2 is available on the official website for several countries:
France / Belgium: XGIMI Aura 2 / xgimi.com

Germany: XGIMI Aura 2 / xgimi.com

Spain: XGIMI Aura 2 / xgimi.com

Rest of Europe: XGIMI Aura 2 / xgimi.com

United Kingdom: XGIMI Aura 2 / xgimi.com

Rest of the world: XGIMI Aura 2 / xgimi.com

Manufacturer web site:
https://www.xgimi.com
Site where I have bought or received the XGIMI Aura 2: https://shareasale.c...

Price XGIMI Aura 2

Not yet available / tested

Timeline

10/18/2024: expected date for receipt of the projector
10/21/2024: review start

Why this projector?

XGIMI has gradually established itself as an essential reference in the field of all-in-one video projectors, by making this technology accessible to a wider audience. Their approach is based on a simple but effective recipe: offering complete and easy-to-use products. In particular, they have partnered with Harman Kardon to offer superior sound quality on several of their models, have been integrating a native Android interface for years, and have adopted LED technology to extend the life of their projectors. In addition, XGIMI offers a range of products covering all price segments.

Whether in the entry-level or mid-range, their products meet a real need and have attracted millions of users around the world. I had not yet had the opportunity to test the Aura range, but this will be an opportunity for me to check if XGIMI can also compete with the competition in the category of products over €2,500, where the competitors are formidable!

However, XGIMI often has two weaknesses: sometimes insufficient contrast and, on some models, the lack of native compatibility with Netflix. This XGIMI Aura 2 model should theoretically correct the contrast problem. For Netflix, however, you will still have to go through the Desktop Manager application, while waiting for a future update that will integrate native compatibility.

Unpacking

xgimi aura 2 test review avis recensione prueba opiniones beoordeling photo sun 1

The XGIMI Aura 2 is smaller and lighter than its predecessor, but the box is still quite large. The projector is protected by a thick layer of foam. The box contains the projector, the remote control, 2 AAA batteries, a manual and a power cable.



I think that XGIMI has made a fairly radical change in its visual identity because since the launch of the XGIMI Horizon Ultra, the projectors are designed in warmer colors and this is directly visible on the packaging. The packaging is less neutral than before and this will also be visible on the projector, I will come back to this point in one of the next paragraphs.

Operating system


Not yet available / tested

Finish

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I wrote a little earlier that XGIMI had radically changed its visual identity and this XGIMI Aura 2 is proof of this. The previous models (Horizon FHD/Pro, Aura 1) had a very metallic and even a little technical look, XGIMI had made its metal grid a sort of easily recognizable visual identity.

I had already noticed the introduction of a "champagne" type tint on the Mogo 2 Pro but it is the XGIMI Horizon Ultra that brought the biggest change. From the metallic and cold look, XGIMI has moved to a use of warm tones with fabrics to cover the most visible surfaces. The top panel of the Aura 2 is completely covered in fabric and the edges are surrounded by a champagne-colored metallic effect layer. The finish is excellent and leaves no doubt about the high-end positioning of this projector.

The projector measures 52 cm wide by 26 cm deep with a height of 15 cm (with the legs). Although this model is smaller than the previous model, the XGIMI Aura 2 is quite large and quite heavy, it weighs 9 kg. The size and weight are not a problem in themselves, this projector is not intended to be moved anyway. I am providing you with the measurements so that you can assess whether the size will suit your projection space.

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The sides are made of a champagne-colored honeycomb grid that will evacuate the heat from the projector. Even though this grid is made of plastic, the level of finish is very good and the use of the champagne color gives it a more pronounced metallic appearance than a black or gray grid.

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As usual, XGIMI called on Harman-Kardon for the sound rendering and the mention of the brand fits very well in the format of the projector. I also find that the XGIMI brand is less well highlighted on the projector because it is drowned in the fabric area on the upper part of the projector.

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On the lower part there are no height adjustment legs, so the projector will always remain at the same level. I also did not see any fixings for ceiling installation. They may be hidden behind the rubber circles but given the weight of the projector, I would hesitate to place it in ceiling position.

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The connectivity is quite complete with 3 USB type A 2.0 ports, an SPDIF optical audio output, three HDMI ports including an eARC, a jack type audio output, an RJ45 ethernet port.

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Two air inlets at the back will allow the projector to be cooled from the back. The power connector is also at the back, a simple power cable is enough, you will not have to find space to fit a large transformer as is sometimes the case for this type of product.

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The special feature of this ultra-short throw projector is that it opens automatically on the top, it's a bit like a convertible car. This protects the optical block when the projector is not in use and to have an aesthetically more attractive product when it is closed.

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The remote control broadly follows the characteristics of other XGIMI remote controls. This version uses a metal casing as for most high-end XGIMI projectors. The box contains 2 AAA batteries and they are inserted from the bottom. Be careful, the battery drawer is mounted on springs. As soon as you press the button to open it, it will literally eject from the remote control.

From a functional point of view, this remote control is easy to use and includes all the really necessary functions. You will have no trouble repeating the buttons in the dark.

Projection room

My projection room is rectangular, 4.6m by 2.9m (height 2.2m). I have two projection walls, one white wall 2.9m wide with just white paint with a possible 4m setback. I then have a 133 inch ALR screen on another wall with a possible setback of 2.8m. I mainly use the ALR screen except when the layout or type of projector is not suitable for this situation.

Battery autonomy

This projector is not equipped with a battery.

Power consumption


I measured the electricity consumption of this projector by playing with the different brightness levels and I got very different results.

With the light at 10, I get a consumption of about 140 watts. If I lower the light level to 1, the consumption drops to 90 watts which is really very little for a projector of this type. There is however a boost mode which gives the maximum brightness to the projector and there the consumption exceeds 170 watts and sometimes reaches 200 watts. It remains very reasonable for a projector of this type but with the boost mode, the projector's ventilation wakes up and turns into a hair dryer. I don't know what this mode can be used for because it is too noisy to watch a movie. The other modes are much quieter.

Operating noise

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The XGIMI Aura 2 emits a slight hum as long as it is used at a brightness level of 10 or less. If I place my decibel meter on the projector with brightness level 10, the device does not even react because the projector knows how to be so discreet. If you use the boost mode, the projector will become much louder with more than 60 dB.

Image quality

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To illustrate the image quality I used a piece from the first episode of The Power of the Rings, followed by a clip that I often use because it has a very particular aesthetic. In both cases, the result is very good even if the video recording does not fully restore the quality of the image. Recording an image of an extended color space like REC2020 or DCI P3 is not easy to render with a camera that does not have such an extended color space. So there is loss of information and the image is sometimes too red because of the dominance of the red laser.

Colorimetry
More explanations on colorimetry

Measuring color fidelity (colorimetry) is not a subjective question, it is something completely measurable. This measurement is carried out with a device (colorimeter, spectrometer, ...) which measures the difference between the real color and the displayed color. This difference is expressed in delta E (abbreviation: dE). A dE greater than 3 indicates a deviation perceptible to the human eye.

The dE must therefore be as low as possible but projectors rarely have a dE lower than 3 out of the box. They are often between 5 and 10, only a calibration can correctly adjust the colors.

For a perfect calibration, you must call a professional. I give you my parameters which correspond to my situation. These settings might work for your situation but it is not a guarantee, so take them as an indication of the direction to follow.



I measured the color fidelity on all available picture modes and then tweaked the settings to improve the image quality. My hardware is not accurate enough to give me the exact color deviation value but it will give an excellent indication of what you can expect.

Here are the results of my measurements before calibration, all these measurements were done with the brightness at 10 and on a NothingProjector ALR Black Series screen. This type of screen tends to cool the image, it also lowers the brightness. The black level will therefore be better. I disabled all the automatic correction assistances.

Standard mode: dE color 8.25, dE white 15.3, white temperature 9940k, dE gray 16.83, contrast 1716:1, black 0.094 cd/m² 161 cd/m²
TV mode: dE color 11.43, dE white 15.2, white temperature 9944k, dE gray 17.07, contrast 1716:1, black 0.094 cd/m², white 160 cd/m²
Movie mode: dE color 4.79, dE white 11, white temperature 7573k, dE gray 4.84, contrast 1695:1, black 0.084 cd/m², white 142 cd/m²
Sport mode: dE color 11.28, dE white 15, white temperature 9860k, dE gray 16:83, contrast 1711:1, 0.094 black cd/m², white 150 cd/m²
Brilliant mode: dE colors 11.31, dE white 15.7, white temperature 11043k, dE gray 23.14, contrast 1709:1, black 0.087 cd/m², white 147 cd/m²

After this first round of observation, the film mode is by far the best. The color fidelity is clearly better, the white temperature is closer to the standard, the contrast is good and the brightness is also of a good level.

The result in detail for the cinema mode:
calibration cinema mode colors

I see here that some colors are already close to the objective but the red, yellow and cyan deviate too much. The worst is the white which is still too cold even if it is much better than with the other configurations.

If I focus on the grays:
calibration cinema mode greys

Here too there is work to be done to get the right gray levels.

Calibration

I modified the settings to try to get a better result than the cinema mode and I succeeded with the settings that I will share with you below. You can take inspiration from these settings if you are using a gray screen. If on the other hand, you are using a white screen, you will have to increase the blue levels a little.

Result for SDR colors:
calibration user colors sdr

With a delta E of 1.46, I think we can consider this a good result. This is clearly the best XGIMI I have tested so far.

Result for grays in SDR:
calibration user greys sdr

Same observation here, the result is impeccable.

I got the same type of result for HDR and colors:
calibration user colors hdr


And for grays:
calibration user greys hdr


I share with you my settings for SDR and HDR but don't forget that I got these results on a screen NothingProjector ALR. Another type of screen will require adaptation. If you are using a white screen, you will need to increase the blue because ALR screens tend to emphasize blue.

The following settings are what you need to change, you can leave the other values ​​at 50.

SDR
User Mode

Color Temperature
Red 10
Green 6
Blue 4
Red Gain 49
Blue Gain 45

Advanced Correction / Red
Saturation 70
Brightness 52

Advanced Correction / Green
Hue 45

Advanced Correction / Blue
Hue 55
Brightness 35

Advanced Correction / Yellow
Brightness 55

Advanced Correction / Magenta
Saturation 65
Brightness 65

HDR
User Mode

Color Temperature
Red 10
Green 6
Blue 4
Red Gain 49
Blue Gain 45

Advanced Correction / Red
Hue 55
Saturation 70
Brightness 20

Advanced Correction / Green
Hue 45
Brightness 45

Advanced Correction / Blue
Hue 55
Brightness 30

Advanced Correction / Yellow
Brightness 65

Advanced Correction / Magenta
Saturation 65
Brightness 30

To help you get your bearings, I took a screenshot of the settings for HDR, the path is the same for SDR.



Brightness
More explanations on brightness

The brightness for a projector is absolutely crucial. The brightness is measured in ANSI lumens and the values provided by the manufacturer are very often higher than reality.

I measure the brightness with a lux meter and I convert my measurements into ANSI lumens in relation to the projection surface. You thus obtain a real value.

A video projector, even if it is bright, cannot compete with a television. The contribution of light (natural or artificial) will have the effect of drastically reducing the contrast of your image. With a brightness lower than 1000 ANSI lumens, the projector must be used in total darkness.



Not yet available / tested

Sharpness

Not yet available / tested

Contrast
More explanations on contrast

Contrast (on/off) is used to measure the difference between white and black. This measurement gives an indication of the ability of a projector to produce a good rendering in dark scenes.

A contrast lower than 500:1 should be considered as a very low contrast and the consequence will be especially visible in dark scenes where you will lose details. This is less of a problem for sports, bright films or even cartoons.

A low contrast ratio does not mean that a projector is not usable, you just have to be aware that for films like Aliens, dark scenes will no longer allow you to distinguish details.



I measured a contrast between 1695:1 and 1716:1 depending on the chosen configuration. This is not the highest contrast in this category of projectors but it is enough to deliver a good performance for dark movies. To illustrate this contrast, I used the trailer for The Batman where we can clearly see all the details in the dark scenes. The image is actually a little brighter but I limited the ISO increase to avoid showing too much grain.

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Motion compensation
More on Motion Compensation (MEMC)

Many projectors use a frequency of 60 Hz, which means that they broadcast 60 frames per second. Many films were designed to broadcast 24 frames per second. This means that for each second, the film does not have enough frames to fill the 60 frames broadcast by the projector.

This most often results in a jerkiness in the image. Some projectors are able to attenuate this jerkiness with a motion compensation system (also called MEMC). If you abuse this compensation, you will get what is called the 'soap opera' effect which makes the image a little artificial like the TV series of the 80s.



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The XGIMI Aura 2 uses a 60hz frequency like many projectors of this type and this has the effect of creating image tearing in rapid horizontal movements. Fortunately this projector is equipped with a 3-level compensation mechanism that makes the tearing disappear from the first level. If you look at the white rectangle at the top of the video, you will notice that without compensation, the rectangle tears. As soon as I engage the compensation, the tearing disappears.

Image size and projection distance

More explanations on the projection distance

The projection distance determines the size of the image and the size of the image is determined by the projector's throw ratio. If a projector has a throw ratio of 1.2, it will have an image width of 83 cm with possibly a gray border.

The distance also plays a role in the brightness because the brightness decreases with the square of the distance. A projector placed at 4 meters will therefore lose 4 times more brightness than a projector placed at 2 meters.

Keystone image correction does not modify the projection cone, it resizes the image inside the projection cone. This means that in the event of a significant correction, you will see a large gray border appear around your image.


The XGIMI Aura 2 has a very short throw ratio, which is the shortest throw ratio I've tested so far. It needs to be 39 cm away from the lens to get a 100-inch diagonal. If I count the projector's depth, that means you need to place the projector less than 20 cm from the screen to get a 100-inch image. This is one of the strong points of this projector.

Screen choice



Ultra-short throw projectors are quite demanding in terms of projection surface, you need an impeccably flat surface, because at the slightest deviation the image will lose its sharpness (even if the difference is a few millimeters). Using a screen will also help to standardize the rendering of colors and light, a gray screen will also darken the image to obtain a greater depth of blacks. This projector is an ideal candidate for a combination with a gray screen intended for projection from below.

I used a NothingProjector BlackSeries screen for this test, it is an excellent screen for this type of projector.

Audio quality

More explanations on audio quality

I use several types of music tracks to illustrate the sound quality of the projector but the rendering will always be limited by the recording device. Since I always use the same device, you will be able to compare the difference on the same basis.

I regularly use well-known songs protected by copyright to illustrate the sound quality of a video projector. It therefore sometimes happens that YouTube decides to block my videos for these reasons. In this case, you can listen to the soundtracks directly on YouTube and hope that YouTube has not completely blocked my channel.



youtube previewyoutube preview

XGIMI has been working with Harman Kardon for a few years for the audio part of their projectors and over time they have accumulated a lot of experience to obtain a very good level of sound quality. This projector is equipped with 4x15 watt speakers that produce very good quality sound in both low and high frequencies. This video will probably be blocked on my site because of copyright but you can watch/listen to it directly on YouTube. For me, it is one of the best projectors in terms of sound.

Video games

More explanations video games

To be able to play in good conditions with a projector, the latency must be low. Latency is the reaction time between pressing a button on your controller and the reaction on the screen, this latency is expressed in milliseconds and is also called 'input lag'.

I measure this latency with a specialized device. To be able to play fast-paced FPS-type games online, you need to obtain a latency of less than 30 ms. For games where the reaction time is less important, a latency of less than 100ms should be suitable for most situations.

I generally test ShadowRunner from Geforce Now on my Nvidia Shield except when this is not possible. I'm not used to playing with a controller, so I'm not very good at it, but the point is to show the projector's ability, not mine.



The XGIMI Aura 2 has a gaming mode with low latency. I haven't had time to test a game on this projector yet, but I measured a latency between 15 and 20 ms with the gaming mode activated. With such a level of latency, you can easily connect a game console and play any game in excellent conditions. I just have to point out that to benefit from this reduced latency, the keystone correction must not be active.

Encoutered bugs

Not yet available / tested

ALR/CLR Projection screen

Are you looking for a good ALR/CLR screen for your projector? I may have what you need:
ALR/CLR NothingProjector Screen

Test / Review conclusion

I had not yet tested a projector from the Aura range at XGIMI, it is now done. I can say without much hesitation that this XGIMI Aura 2 is the best XGIMI projector that I have been able to test so far. The image quality is superb, the color fidelity after calibration is excellent, the sharpness is good and the contrast is also good even if other projectors are capable of doing better.

The XGIMI Aura 2 marks a break from the previous model with its Nordic aesthetic and its hood that lifts to diffuse the image. Even if it is imposing in size and weight, its size is smaller than many other references on the market. Its very low projection ratio allows it to be brought as close as possible to the screen to generate a very large image from a very short distance. Its brightness will allow you to aim for a display of more than 120 inches without problem, you will just have to make sure to associate it with a screen to obtain a uniform projection surface.

The strengths of this projector do not stop at the image quality, the sound is also of excellent quality, it feels comfortable in all types of sounds (voices, instruments, explosions, ...). It is powerful enough to fill your projection room. Gamers will probably also be delighted to learn that this projector has a very low latency in gaming mode which will allow them to play any game in excellent conditions.

The XGIMI Aura 2 is not very noisy, it purrs gently and it is not very energy-hungry.

If I had to find a few flaws, I would start with a great classic at XGIMI, this projector is not natively compatible with Netflix. It does not run on the latest version of Google TV which would have given it a little something extra.

Its price positioning places it in front of very good projectors like the Formovie Theater, so the competition is tough. Even though the Formovie offers better contrast, the XGIMI produces equally vibrant colors and offers better sound. Its throw ratio also makes it unique in the market. I feel that many will hesitate between these two excellent projectors.

Strengths

Excellent colorimetry after calibration
Contrast
Electricity consumption
Reduced operating noise
Excellent sound quality
Sharpness
Throw ratio
Low latency for games
Level of finish, aesthetics
No digital grain caused by the laser

Weaknesses

Basic colorimetry (film mode = best)
Netflix compatibility
Android TV instead of Google TV





Laurent Willen LAURENT WILLEN
Head of myself on this blog

I share my passions on my blog in my free time since 2006, I prefer that to watching nonsense on TV or on social networks. I work alone, I am undoubtedly one of the last survivors of the world of blogs and personal sites.

My speciality? Digital in all its forms. I have spent the last 25 years working for multinationals where I managed digital teams and generated revenues of over €500 million per year. I have expertise in telecoms, media, aviation, travel and tourism.
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